Coming Soon

MILTON PLAYERS THEATRE GROUP AUDITION NOTICE “Calendar Girls”

By: Tim Firth
Directed by: Steve Prevost
Auditions: Sunday May 28th, 2017 - 1:30-4:30pm and Monday May 29th, 2017 - 7:30-10:30pm Callbacks: Sunday June 4th, 2017, 1:30-4:30pm
Where – Waldies Blacksmith Shop, 16 James Street, Milton.

Monologue not required, cold read from the script. There is no need to book an audition time as the director will be pairing actors in various roles to play off of each other (group readings). Please show up at the beginning of auditions and be prepared to stay till the end. Those auditioning are welcome to attend both audition nights for additional pairing opportunities however it is not required. British accents will not be required.

Select preview readings available upon request. Please email either This email address is being protected from spambots. You need JavaScript enabled to view it. or This email address is being protected from spambots. You need JavaScript enabled to view it. stating the character you would like a reading for.

Show Synopsis: When Annie's husband John dies of leukaemia, she and best friend Chris resolve to raise money for a new settee in the local hospital waiting room. They manage to persuade four fellow WI members to pose nude with them for an "alternative" calendar, with a little help from hospital porter and amateur photographer Lawrence. The news of the women's charitable venture spreads like wildfire, and hordes of press soon descend on the small village of Knapeley in the Yorkshire Dales. The calendar is a success, but Chris and Annie's friendship is put to the test under the strain of their new-found fame. Based on the true story of eleven WI members who posed nude for a calendar to raise money for the Leukaemia Research Fund
Please be advised that the characters of Cora, Chris, Annie, Jessie, Celia and Ruth will be required to be nude for one scene. The nudity will be handled tastefully and with respect and at no time will the audience see complete nudity.
Rehearsals: Wednesday 7:30 - 10:30pm; Friday 7:45 - 10:45pm; Sunday 7:30 – 10:30pm, at St. Paul’s United Church, 123 Main St. East, Milton.

Show dates: October 27,28,29 November 2,3,4 2017 at the Milton Centre for the Arts

Characters:
CHRIS - 50s. You want Chris at your party. She will talk to people she doesn’t know, and generate laughter. Part of this is because Chris is at home in crowds, holding court, being the centre of attention. Without Chris in her life, Annie would be better behaved, her life less fun. The two of them are like naughty schoolgirls.
ANNIE - 50s. Annie will join in mischief but is at heart more conformist and less confrontational than Chris. After Chris has put a waiter’s back up in the restaurant, Annie will go in and pour calm. The mischievousness Chris elicits saves Annie from being a saint. She has enough edge to be interesting, and enough salt not to be too sweet. CORA - around 40. Cora’s past is the most eclectic, her horizons broadened by having gone to college. This caused a tectonic shift with her more parochial parents. She came back to them pregnant and tail-between-legs, but Cora has too much native resilience to be downtrodden. She is the joker in the pack, but never plays the fool. Her wit is deadpan. It raises laughter in others, but rarely in herself. Her relationship with her daughter is more akin to that between Chris and Annie. Cora doesn’t need to sing like a diva but must be able to sing well enough to start the show with Jerusalem and sing the snatches of other songs required. The piano keyboard can be marked up to enable her to play basic chords should she not be a player.
JESSIE - late 60s/70s. Get on the right side of Jessie as a teacher and she’ll be the teacher you remember for life. Get on the wrong side and you will regret every waking hour. A lover of life, Jessie doesn’t bother with cosmetics — her elixir of life is bravery. Jessie goes on rollercoasters. Her husband has been with her a long time and is rarely surprised by her actions. Jessie bothers about grammar and will correct stallholders regarding their abuse of the apostrophe “s”.
CELIA - age anything 35-50. The fact that Celia is in the WI is the greatest justification of its existence. A woman more at home in a department store than a church hall, she may be slightly younger than Chris or the same age, but she always feels like she’s drifted in from another world. Which she has. She is particularly enamoured of Jessie, and despite the fact Jessie has very little time for most Celias of this world, there is a rebelliousness in Celia to which Jessie responds. It’s what sets Celia apart from the vapid materialism of her peer group and made her defect.
RUTH - 40s. Ruth’s journey is from the false self-confidence of the emotionally abused to the genuine self confidence of the woman happy in her own skin. Ruth is eager to please but not a rag doll, and despite being Marie’s right-hand woman she is desperate to be the cartilage in the spine of the WI and keep everyone happy. She has spine herself — if she was too wet, no-one would want her around. But they do, and they feel protective of her because they sense there is something better in Ruth than her life is letting out. They are proved right. The Rabbit Costume: Ruth made this last night. It should be a cocktail of good intention and not enough time.
MARIE - 50s. Marie has gradually built the current ‘Marie’ around herself over the years as a defence mechanism. She went to her Oz, Cheshire, and found Oz didn’t want her. She came back scorched. The WI is a trophy to her, which justifies her entire existence. There is a lingering part of Marie that would love to be on that calendar. JOHN - 50s. John is a human sunflower. Not a saint. Not a hero. Just the kind of man you’d want in your car when crossing America. When he dies it feels like someone somewhere turned a light off.
ROD - Chris's husband, 50s. You have to be a certain kind of guy to stick with Chris and Rod loves it. He can give back what he gets, and has a deadpan humour which has always made Chris laugh. He drinks a lot but never so much as to have a problem. John was his mate, even though the relationship was originally channelled through their wives.
LAWRENCE - late 20s. Hesitant without being nerdy, Lawrence is a shy young man with enough wit to make a joke and enough spirit to turn up at the WI hall in the first place.
LADY CRAVENSHIRE - 60s. Lady Cravenshire really doesn’t mean to be so patronizing. But the WI girls seem from another world. The world of her estate workers. Dress: when she makes an entrance, she must make an entrance. Comes in for one scene.
ELAINE - 20s. Elaine really doesn’t mean to be so patronizing. But Jessie seems from another world. The world of her gran. Comes in for one scene.
LIAM - late 20s. Liam would like to be directing other things than photoshoots of dish soap. He’s not so unprofessional as to let it show, but we can sense a slight weariness at having to deal with these women. Comes in for one scene. Brenda Hulse - 40s. Described as a dull speaker. Comes in for one scene.

Ages of the characters will be determined based on availability of actors
For more information please email us at This email address is being protected from spambots. You need JavaScript enabled to view it.

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